David Day presents “C3 (Controlled Camera Chaos): Making abstract art with ICM in the studio” on Wednesday, February 18, 2026 at 7pm, Lone Tree Civic Center. Join remotely via Zoom. Arrive 30 minutes early for social time, to visit with your fellow club members and meet some new folks. The program is 7pm – 9pm.
This presentation covers the creation of abstract art by adaptation of intentional camera movement (ICM) to the studio setting. The attendee will learn how to create and light a variety of scenes and how to manipulate them with camera movement to achieve stunning abstractions. Additionally, attendees will learn how to construct a studio for this form of art along with basic camera movements to involved in the process. Throughout the presentation specific examples will be provided of final images along with details on how they were achieved.
About David Day
David Day was trained as a pharmaceutical scientist and his job was to find connections that people usually would not identify in the use of medications and the development of avoidable health events. It turned out that his work experience was a perfect platform to launch the type of photography in which he is now engaged.
“My photographic journey began in the 1990s, capturing local scenery and historical landmarks around my home in Fairfield, Connecticut. Drawn early on to ethereal imagery evocative of the dream state, I explored infrared photography and darkroom manipulations to create surreal, otherworldly visuals.”
“In 2020, I shifted toward intentional camera movement (ICM) as a way to infuse my work with motion, ambiguity, and emotional depth. A serendipitous image of three plastic-coated copper wires—created through an accidental camera gesture—became a turning point. Despite repeated attempts, I couldn’t replicate the effect using conventional ICM techniques. That failure sparked a deeper inquiry.”
“I began developing a systematic, experimental approach to ICM within a controlled studio environment—defining methods, processes, and equipment to transform everyday objects into images rich with pareidolic symbolism and dreamlike resonance. This body of work evolved into what I now call Controlled Camera Chaos (C3).”
“Though the final images often appear complex and layered, they originate from simple materials found around my home: wire, weeds, leaves, twigs, plastic bags, newsprint, tissue paper, ice, and small glass objects. With carefully orchestrated lighting and deliberate camera movement during extended exposures, I create visuals that invite multiple interpretations—often triggering subconscious associations and memories of dream events.”
“The C3 approach has led to the publication of three books, numerous awards, participation in juried exhibitions, and sales to collectors throughout the world. I regularly speak at art associations and camera clubs across the U.S. and Europe, where I share both the technical rigor and emotional undercurrents behind my work. In addition to the introduction of audiences to my work and how it is made, I frequently lead discussions on the associations between art and science with emphasis on the reliance of these disciplines upon one another for advancement.”
